16 Songs, 54 Minutes Geonav 7 wide software update.

EDITORS’ NOTES

After the departure of singer Howard Jones, Killswitch Engage began work on its sixth studio album with founding frontman Jesse Leach, who hadn’t worked with the band since 2002’s Alive or Just Breathing. But don’t think of 2013’s Disarm the Descent as a nostalgic reunion album. The opening cut, “The Hell in Me,” is an eruption of metalcore played faster than anything heard on preceding Killswitch Engage recordings. Leach balances his throat-grating screams and shrieks with melodic and soulful crooning. When both voices are simultaneously singing ”Lead me out of the darkness,” it sounds like his inner Jekyll and Hyde are battling for his mortal soul. The standout single “In Due Time” boasts lightning-fast fretboard work by guitarist Adam Dutkiewicz, whose backing vocals blend with Leach's so closely on the melodic parts that at times a third harmonic overtone can be heard popping out of the mix. Of the four special-edition bonus tracks, “Blood Stains” is the heaviest. Both “Numbered Days” and “My Curse” showcase the band’s uncanny strength in a live setting.

EDITORS’ NOTES

After the departure of singer Howard Jones, Killswitch Engage began work on its sixth studio album with founding frontman Jesse Leach, who hadn’t worked with the band since 2002’s Alive or Just Breathing. But don’t think of 2013’s Disarm the Descent as a nostalgic reunion album. The opening cut, “The Hell in Me,” is an eruption of metalcore played faster than anything heard on preceding Killswitch Engage recordings. Leach balances his throat-grating screams and shrieks with melodic and soulful crooning. When both voices are simultaneously singing ”Lead me out of the darkness,” it sounds like his inner Jekyll and Hyde are battling for his mortal soul. The standout single “In Due Time” boasts lightning-fast fretboard work by guitarist Adam Dutkiewicz, whose backing vocals blend with Leach's so closely on the melodic parts that at times a third harmonic overtone can be heard popping out of the mix. Of the four special-edition bonus tracks, “Blood Stains” is the heaviest. Both “Numbered Days” and “My Curse” showcase the band’s uncanny strength in a live setting.

• 16 Songs, 54 Minutes
• Released: Mar 29, 2013
• ℗ 2013 Roadrunner Records, Inc.

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Though their (second) self-titled album found Killswitch Engage reintroducing themselves as a more accessible, albeit still plenty frenzied, metalcore band, their sixth album, Disarm the Descent, feels as though they're reintroducing themselves not to the audience, but to one another. Returning to the band after the departure of Howard Jones in 2012, original vocalist Jesse Leach finds himself once again picking up vocals duties after parting ways with the group in 2002. Though Leach was a part of the band during their formative years, over a decade has passed since then, and while the performances by all parties involved here are certainly solid ones, they don't quite capture the raw power of their earlier work. In the time since Leach left the fold, Killswitch Engage have matured into a tighter, more refined band than they were for Alive or Just Breathing, and while Leach has certainly grown as a singer in the intervening years, the album doesn't quite recapture that sense of catharsis the band possessed back then. This isn't to say that the album is bad -- in fact, it's quite solidly constructed, an almost watertight specimen of technical acumen -- but that fans expecting this album to be a full-on time machine back to 2002 might be a bit disappointed. What the album might lack in muscle, however, it makes up for in speed, often feeling like a throwback to the days of thrash's blistering technicality, but where past album rampaged, this one merely races. At the end of the day, defining the exact shade of Disarm the Descent's melodic aggression might be splitting hairs, the most important thing for Killswitch fans is that while the band might be adjusting after a shake-up like losing a singer, they've still managed to create another riff-fest that, while not a throwback to their older sound, has them continuing down their current path without much trouble.

Teori komunikasi interpersonal. Mental Models - understanding phenomena's in daily life ix. Modernization Theory - effects of the modernization process on human communication x. Medium Theory - the medium affects perception viii. Gatekeeping - regulate the flow of information vi. Knowledge Gap - increasing gap between higher and lower educated people vii.